B DEEP
In 1916, the Russian composer Igor Stravinsky described dance music of the day as ‘the musical ideal…music that wishes to express nothing’. This is exactly what I love about B Deep’s album Island Hopping Through The Stratosphere. The creativity, emotions and production skills of B Deep have been focused into creating tunes with one primary goal: to get you grooving. Don’t look for anything deeper. Like jazz in 1916, this music was not intended to be enjoyed intellectually from the couch and ESPECIALLY not on laptop speakers. I cannot stress this enough. Laptops weren’t even invented in 1916.
The album starts with ‘Want To Bail’, and let’s all just admit openly that at certain times in life [afternoon engagement parties] we have related heavily to the concepts explored in this track. The calculated stumbling of soulful piano chords against a beat that the blogosphere in its current word-vacuum could only describe as ‘off-kilter’ brings to mind the whole J-Dilla thing, as well as early 60′s soul-infused Kanye West samples.
Most of the tracks are based on ultra-short loops and this gives them a hypnotic quality. Portions of the album could arguably be classified as ‘chill music’ but the intersection between ‘dance’ and ‘chill’ is a confusing place, often only a question of tempo and marketing. ‘Beyond Say’ is a perfect example of this. Plug in the subwoofer, and it is a bass-heaving groove explosion; decrease the volume a few dBs and cut out the low end and it becomes nothing more than a light sonic garnish.
Which I guess brings us to the ironic truth of the whole ‘instrumental beats’ scene; that it has created some of the most interesting dance music of recent years but at times tracks are so smoothly produced and non-offensive that they wouldn’t be out of place backing the Foxtel Menu. Foxtel is still a thing right?