Here’s another Swede for you to try on for size, and that sounded way creepier than I would have liked it to. This time it’s a gentleman named Dante whose production is out of sight. His beats are perfectly weighted and his vocals are all-up-innit and it’s like pow wow, shlippy wham bam you know what I mean? Of course you don’t. That was absolute jibberish. All I’m saying is that you’ll take the time to listen to the below if you know what’s good for you. I didn’t realise it when I started writing this but apparently there’s some sort of connection with Adele so that’s it then, get out your cheque books. Here’s Dante. EDIT: THIS JUST IN, THERE IS NO ADELE CONNECTION, IT’S JUST A SAMPLE. Back to work everyone.

Also, while we’re here, what’s the deal with Swedes!? Along with maintaining a fantastic degree of diplomatic neutrality (I’m probably confusing them with the Swiss) their second skill set lies in talent development. Jens Lekman, Lykke Li, The Tallest Man On Earth, The Knife, Miike Snow, The Radio Dept., The Hives, Peter Bjorn and John. The nordic folk have it going on, and that’s before we delve into their effective monopoly on all “true metal” since 1990. There must be something in water.

Checking back in with our favourite surf-pop-no-more two-piece Sures, proved more rewarding than anticipated this morning. I apologise if that sentence was as tough to read as it was to write but hopefully message conveyed, yes? The ‘we all knew it was coming but didn’t say it’ news that they’d signed with Ivy League Records was made public and not so coincidentally they relaunched their reverb-heavy four tracker with a bonus fifth track. I’ve hoped in my heart of hearts that Sures weren’t a one trick Pony and this new tune ‘Stars’ is making me think they certainly won’t be. It’s faster, tighter and more directed than their other sun drenched wanderings. It’s still reverb heavy and rife with two part harmony so OG fans will get what they crave while those looking for growth will surely hear it. They’ve made it the opening track of their EP which is now looking like a pretty strong release on the back of this late inclusion and that Poseidon track. Without further adieu, here is ‘Stars’, the song that’s given me new confidence in Sydney’s Sures.

Disclaimer, the title of this post is misleading, it’s mostly just you helping me. I am in the running to win an xbox, which is mostly just a laptop, but I’ll also mostly just use it for gaming, ergo xbox. Additionally, winning this will look pseudo-successful on my CV and I will be able to get all sorts of future-jobs doing future-tasks. Even if I don’t get the highest number of votes, it’s not entirely adjudged on that so game on people, game on. If you feel like you’ve got love in your heart for Sound Doctrine or you’re just overflowing with goodwill, follow this link and click ‘like’, otherwise feel free to refer to previous posts for the soundtrack to your continued disrespect. Thank you kindly, especially if you’ve already voted. I promise this is the last you’ll hear of it.

– Tommy

The Welcome Wagon have always been the nicotine gum to my Sufjan craving, keeping me suitably satisfied from one Sufjan release to the next. Sufjan’s fingerprints are all over most WW tracks though they look like his pre-evolution fingerprints, those of a Sufjan still interested in folk. That said, Sufjan produced and played, you know, all the instruments etc on the last Welcome Wagon record but on Precious Remedies Against Satan’s Devices, their second full-length, we see Sufjan deeper in the shadows on banjo, piano and in the (yesssssss) choir. Welcome Wagon’s standing lineup consists of Reverend Thomas Vito Aiuto and his wife Monique. While their probably won’t be any White Stripes antics there’s a genuine output that I like to think is a product of an obviously gentle connection between husband and wife. Look at me getting all soppy over this. Shucks. Listen to this, then apply your ears to But For You Who Fear My Name, still my favourite of their songs in anticipation of the next release.

The Middle East fanboy rears his head once more, this time having heard and swooned over this pair of tracks from The Middle East’s Mark Myers, who performs under the moniker of The Starry Field. I say “now” but if I remember correctly, The Starry Field supported a Middle East show I saw at the Spectrum and that must have been at least 5 years ago. So then it seems, perhaps, maybe, The Starry Field is no new thing. Of the solo projects that each former TME band member has to their name, this may be the one I’ve best connected with. Here’s a brief overview of what the others have been up to:

● BREE has released just the one single so far, the haunting yet beautiful Winter and is now a part of Matt Corby’s ensemble.

● ROHIN is in the process of recording that jaunty disconnected acoustic fare he’s been dishing out (rough yet promising). He’s also contributed a single called ‘All My Friends At A Petrol Stop‘ to Why Don’t You Believe Me’s BANANAS

● JORDAN has been touring Europe in support of Holly Throsby but is back in the country. Here‘s a taste of what isn’t yet on record.

● JOSEPH has released a Kurt Vilesque EP with his band Joseph Liddy and the Skeleton Horse, purchasble via itunes. Maybe slightly heavier than Kurt Vile, but in the same vein.

● JACK has worked under the name Skeleton Jack but everything that was once available seems to have drifted into the ether. Here’s a solo track he recorded live at one of The Gate’s living room shows about two months ago.

● JAVED is playing drums in Holland who have an EP out which you can listen to here. Before that, though I think they’re now inactive (?) he sang in Sydney band Huntings have a pair of tracks available for your downloading pleasure on their Unearthed page. He’s also playing bass in Bexley de Lion who have a new EP out next month

That’s all I know for now but feel free to point me to anything that I’ve overlooked. The songs at hand, these are of the hardworking Mike Myers, a man who, since the parting of The Middle East, has spent less time on stage and more in studio. He’s been behind the production for artists such as Tin Sparrow, Emma Louise, The Medics, Courtney Young, Founds and Faith Lee. It’s not a list to be scoffed at with some few of those budding and blooming even as we consider the musical labours of Mr Myers himself but he’s always seemed fairly content to stay out of the spotlight like all true former Middle Easterners. PR was never their strongest suit as they annoyingly talked down their music in the rare interviews they took but it’s hard to keep songs this emotive from seeing the light, even if they’ve taken five years to surface properly. Boy I sure had a task ahead of me figuring out what ol’ order we’d listent to these but I’m going for the safer option first with the more bizarre ‘Man From The Future’ bringing it home. I can’t get enough of that quavering, fragile voice, and that’s before it drags me back into sweet memories of the golden Middle East.

The Starry Field – ‘If All Your Troubles Were A Sea’ [DOWNLOAD]

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The Starry Field – ‘Man From The Future’ [DOWNLOAD]

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Here’s a track that Mark contributed to an EP called Dragging Pianos which came come couple with a children’s book a few years back but I believe is now out of print. Also, if anyone has a line on the record by Starry Field, we need to talk.

Dragging Pianos – Peel The Carrots

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