<?xml version="1.0" encoding="UTF-8"?><rss version="2.0"
	xmlns:content="http://purl.org/rss/1.0/modules/content/"
	xmlns:dc="http://purl.org/dc/elements/1.1/"
	xmlns:atom="http://www.w3.org/2005/Atom"
	xmlns:sy="http://purl.org/rss/1.0/modules/syndication/"
	
	>
<channel>
	<title>Comments on: Party Dozen</title>
	<atom:link href="https://sounddoc.net/2016/04/party-dozen/feed/" rel="self" type="application/rss+xml" />
	<link>https://sounddoc.net/2016/04/party-dozen/</link>
	<description></description>
	<lastBuildDate>Mon, 30 Dec 2024 00:10:25 +0000</lastBuildDate>
		<sy:updatePeriod>hourly</sy:updatePeriod>
		<sy:updateFrequency>1</sy:updateFrequency>
	<generator>https://wordpress.org/?v=3.8.41</generator>
	<item>
		<title>By: Sound Doctrine &#187; Blog Archive &#187; Party Dozen &#8211; Party Dozen</title>
		<link>https://sounddoc.net/2016/04/party-dozen/#comment-1848</link>
		<dc:creator><![CDATA[Sound Doctrine &#187; Blog Archive &#187; Party Dozen &#8211; Party Dozen]]></dc:creator>
		<pubDate>Sat, 02 Mar 2019 11:25:33 +0000</pubDate>
		<guid isPermaLink="false">http://sounddoc.net/?p=7049#comment-1848</guid>
		<description><![CDATA[[&#8230;] Last time PD graced the glossy pages of Sound Doc was April 2016, when they unceremoniously made their opening move &#8211; a two-tracker featuring a single by the name of &#8216;The Living Man&#8217;. Roundabout a year later and both those songs found their way onto a full length (also called The Living Man). In the time shortly prior to its release and in the months thereafter, they lent their full weight to their anvil-heavy live show and are, in my humble opinion, one of the very few truly essential Australian live performances currently in effect. It&#8217;s blistering catharsis, strobing intensity, distorted horn blasts, synth stabs and Jonathan Boulet&#8217;s best efforts to lay waste to his kit. They&#8217;re a band who&#8217;s byproduct is not just light but also heat. [&#8230;]]]></description>
		<content:encoded><![CDATA[<p>[&#8230;] Last time PD graced the glossy pages of Sound Doc was April 2016, when they unceremoniously made their opening move &#8211; a two-tracker featuring a single by the name of &#8216;The Living Man&#8217;. Roundabout a year later and both those songs found their way onto a full length (also called The Living Man). In the time shortly prior to its release and in the months thereafter, they lent their full weight to their anvil-heavy live show and are, in my humble opinion, one of the very few truly essential Australian live performances currently in effect. It&#8217;s blistering catharsis, strobing intensity, distorted horn blasts, synth stabs and Jonathan Boulet&#8217;s best efforts to lay waste to his kit. They&#8217;re a band who&#8217;s byproduct is not just light but also heat. [&#8230;]</p>
]]></content:encoded>
	</item>
</channel>
</rss>
