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	<title>Comments on: Fishing &#8211; OOOO</title>
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		<title>By: Sound Doctrine &#187; Vv Pete &#8211; Frauds</title>
		<link>https://sounddoc.net/2010/09/fishing-oooo-2/#comment-2479</link>
		<dc:creator><![CDATA[Sound Doctrine &#187; Vv Pete &#8211; Frauds]]></dc:creator>
		<pubDate>Thu, 17 Nov 2022 01:49:58 +0000</pubDate>
		<guid isPermaLink="false">http://sounddoc.net/2010/09/fishing-oooo-2/#comment-2479</guid>
		<description><![CDATA[[&#8230;] That was June, this is November and now a nineteen year old Vv Pete has gone and offered up one of my favourite Australia rap releases of 2022. It’s called Frauds and in a nice little full-circle moment, you’ll hear that it’s largely the same song she performed in that office chair back in 2020. The evolution of it sees her flesh the record out more fully and rope in none other than Cassius Select on production duties which is… inspired. If the name’s familiar it’s because he’s been a staple of experimental electronic music in Australia for well over a decade, harkening back to one of his first projects Guerre which funnily enough, I wrote about around 10 years ago now. He was also part of iconic Sydney trio Black Vanilla around that time too, worth a little snoop if you never caught ‘em. The track and video is holistically surrounded by great people. Co-production by Trackwork record label founder UTILITY, additional mixing and production by T.Morimoto (another artist I wrote about under a different name many moons ago) and music video design by Russell Fitzgibbon (aka Skeleten / formerly of FISHING) [&#8230;]]]></description>
		<content:encoded><![CDATA[<p>[&#8230;] That was June, this is November and now a nineteen year old Vv Pete has gone and offered up one of my favourite Australia rap releases of 2022. It’s called Frauds and in a nice little full-circle moment, you’ll hear that it’s largely the same song she performed in that office chair back in 2020. The evolution of it sees her flesh the record out more fully and rope in none other than Cassius Select on production duties which is… inspired. If the name’s familiar it’s because he’s been a staple of experimental electronic music in Australia for well over a decade, harkening back to one of his first projects Guerre which funnily enough, I wrote about around 10 years ago now. He was also part of iconic Sydney trio Black Vanilla around that time too, worth a little snoop if you never caught ‘em. The track and video is holistically surrounded by great people. Co-production by Trackwork record label founder UTILITY, additional mixing and production by T.Morimoto (another artist I wrote about under a different name many moons ago) and music video design by Russell Fitzgibbon (aka Skeleten / formerly of FISHING) [&#8230;]</p>
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		<title>By: Sound Doctrine &#187; Blog Archive &#187; Basenji</title>
		<link>https://sounddoc.net/2010/09/fishing-oooo-2/#comment-1295</link>
		<dc:creator><![CDATA[Sound Doctrine &#187; Blog Archive &#187; Basenji]]></dc:creator>
		<pubDate>Mon, 09 Dec 2013 06:46:58 +0000</pubDate>
		<guid isPermaLink="false">http://sounddoc.net/2010/09/fishing-oooo-2/#comment-1295</guid>
		<description><![CDATA[[...] in some synth (a la Wave Racer) punctuated by cymbals which in turn lead to some watery keys (a la FISHING) and you’ve got yourself a jam that treads lightly on its toes. Sure there’s the obligatory [...]]]></description>
		<content:encoded><![CDATA[<p>[...] in some synth (a la Wave Racer) punctuated by cymbals which in turn lead to some watery keys (a la FISHING) and you’ve got yourself a jam that treads lightly on its toes. Sure there’s the obligatory [...]</p>
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		<title>By: Sound Doctrine &#187; Blog Archive &#187; Brothers Hand Mirror &#8211; Picture Tape EP</title>
		<link>https://sounddoc.net/2010/09/fishing-oooo-2/#comment-1131</link>
		<dc:creator><![CDATA[Sound Doctrine &#187; Blog Archive &#187; Brothers Hand Mirror &#8211; Picture Tape EP]]></dc:creator>
		<pubDate>Thu, 25 Jul 2013 23:03:41 +0000</pubDate>
		<guid isPermaLink="false">http://sounddoc.net/2010/09/fishing-oooo-2/#comment-1131</guid>
		<description><![CDATA[[...] a big rumbling round bass hit and a whole bunch of tones that wouldn&#8217;t be out of place on a FISHING record. You know what, it&#8217;s actually kind of reminiscent of beats from the original Oscar [...]]]></description>
		<content:encoded><![CDATA[<p>[...] a big rumbling round bass hit and a whole bunch of tones that wouldn&#8217;t be out of place on a FISHING record. You know what, it&#8217;s actually kind of reminiscent of beats from the original Oscar [...]</p>
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		<title>By: Sound Doctrine &#187; Blog Archive &#187; Electric Sea Spider</title>
		<link>https://sounddoc.net/2010/09/fishing-oooo-2/#comment-961</link>
		<dc:creator><![CDATA[Sound Doctrine &#187; Blog Archive &#187; Electric Sea Spider]]></dc:creator>
		<pubDate>Mon, 11 Mar 2013 22:11:17 +0000</pubDate>
		<guid isPermaLink="false">http://sounddoc.net/2010/09/fishing-oooo-2/#comment-961</guid>
		<description><![CDATA[[...] short dude and the tall dude that make up Sydney’s Fishing. Would this record have come to be if this track had never dropped? The answer still &#8216;probably&#8217;, but WE JUST DON’T KNOW. [...]]]></description>
		<content:encoded><![CDATA[<p>[...] short dude and the tall dude that make up Sydney’s Fishing. Would this record have come to be if this track had never dropped? The answer still &#8216;probably&#8217;, but WE JUST DON’T KNOW. [...]</p>
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